Ahem
I've been meaning for a while to post one of my mixes up here, and on Friday night finally got round to a: pressing record and b: not fucking it up too much!

It starts off fairly subtly, before building to a level-busting climax. I quite like it when the recording gets distorted... gives it a bit more of a live feel. Well that's my excuse anyway! I should really have posted this up on Friday, as it's much more Friday night than Monday morning... however like a breakfast absinthe, this might just be what you need to kickstart your week!

So without further ado... for your delight and delectation... here is the first headphonesex mix. Called 'The Cough Mixture' since, well, i've had a cough all week. Damned drunken karaoke...
THE COUGH MIXTURE (1hr 1min - 62MB)
EDIT: REMOVED UNTIL I CAN FIX THE TERRIBLE GLITCHES ON THE MP3.... HOPEFULLY THIS EVENING.
Tracklisting:
1 Arpanet - NTT DoMoCo
2 Moodymann - Just Anotha Black Sunday Morning With Grandma
3 Ramiro Mendes - Angola (Carl Craig Mix)
4 Telex - Moscow Disco (Carl Craig Mix)
5 Global Communication - The Way (Secret Ingredients Mix)
6 DBX - Losing Control
7 Betty Botox - Can Can
8 Mocky - Micky Mouse Motherfuckers (Tiefschwarz Mix)
9 Marco Dos Santos - Not on the Guestlist
10 Franz Ferdinand - Matinee (Headman Rave Vocal)
11 Franz Ferdinand - Do You Want To (Erol Alkan's Glam Racket)
12 The Rapture - House of Jealous Lovers (Cosmos Remix)
13 Justice - Carpates
Let me know if you enjoy it.... if feedback is good I will probably try to do a new one every month (so expect the next installment sometime in May!). Actually to be honest i'll probably carry on doing 'em whether you like it or not.
Fun comes in 8 bits
Anyone for some Swedish Grime?
I get the boomkat new release mailout each week, which is great except that they tend to say everything obscure and electronic is fantastic and a must-buy. And that every remotely popular indie band they stock is crap (leave Maximo Park alone!!). Anyhow, something in the description of the new album by 'Stacs of Stamina' got me clicking through to the site and listening to the sound clips there.
And I was impressed.

Blair at Music For Robots posted up another track from the album last week, however the one i'm liking most of all is the title track 'Tivoli'.
The Swedish rappers have a slight Beastie Boys / Goldie Looking Chain thing going on, but the kick-ass backing track is the star, sounding a bit like Justice programming a Commodore64. It's grime Jim, but not as we know it. This is very fun indeed, and sounds like it comes a long way from the estates of East London. Which of course it does.
STACS OF STAMINA - TIVOLI
You can buy the album from Boomkat - where you can also watch a slightly rubbish video of the track 'Roll'.
The record is released on London's excellent Werk Discs, which started out as an electro / IDM label but with this release and the Grim Dubs series seems to be forging a unique path through the grimey undergrowth. They were interested in signing my mate Jon Bontempo a while back, but he then emigrated to Australia & put all his equipment into storage!
Saturday Night's Alright For Dancing
Crickey.
Saturday night (last night? this morning?) turned out to be a bit mental.
After Bugged Out I ended up going to the after-party at a club in Shoreditch, and.. well... let's just say I spent about 2 hours doing 'Toilet Karaoke'. Which was exactly as it sounds. A karaoke machine set up outside the toilets. Belting out 'Livin' on a Prayer', 'All Day and All of the Night', 'Heaven is a Place on Earth' (and loads more that I can't quite remember right now) with a variety of loons, casualties, queers, Djs and friends. The fact that absolutely no-one had any pretentions whatsoever about being able to, or even trying to sing made it comedy gold. People who can sing are the bane of karaoke nights, and anyone taking it remotely seriously should be banned from ever participating again.
I've only really had a bash at karaoke once before, but I have to say i fuckin' loved it! Think i'm gonna have to book into here for next weekend!
Then going upstairs to find the party absolutely rocking. Gay men vogueing whilst rolling around in the dirt on the floor. Or performing some strange kind of ballet funk. Ear splitting tunes. Bouncing on the sofas. I really didn't want to leave. I finally forced myself to crawl out at 11am with the party very much in full swing. Bleurghhh... !
And the club? Well Erol Alkan rocked the house as ever. Ivan Smagghe got the ravers going at the end with some hypnotic, dirty grooves - which sounded fantastic over The End's amazing soundsystem. And Paul 'Phones' Epworth kicked things off with a great set, confirming that the key to being a successful DJ is to turn up with a box (or in this case a laptop) full of fantastic records. Nirvana's 'Territorial Pissings' was a particular highlight. I didn't half jump around to that.
Ah, I do love hearing great music over a kick-ass soundsystem.
So here are some of the evening's electro-funkin' musical highlights for you to gorge on:
SCOTT GROOVES - MOTHERSHIP RECONNECTION (DAFT PUNK REMIX)
I'd not listened to this for ages, and i'd forgotten how good it was. Daft Punk remix a track that's itself a remix of Parliament / Funkadelic. The place went crazy when Erol dropped it... This is one i'm gonna have to dust off.
BENJAMIN THEVES - TEXAS
Yet another track from the Kitsune Maison compilation - that I heard 4 times in the course of the evening!
TOM VEK - NOTHING BUT GREEN LIGHTS (DIGITALISM MIX)
I'm not 100% certain this is the mix that Paul Epworth played, but it's great anyway. I don't know much about Digitalism but you may remember I posted the fantastic 'Zdarlight' a few weeks back - which is found on.. you guessed it.. the Kitsune Maison album.
FRANZ FERDINAND - DO YOU WAN'T TO (EROL ALKAN'S GLAM RACKET MIX)
One of the best remixes of the year, and another track that sent Erol's crowd crazy. Only trouble is I can't stop wanting to sing 'My Sharona' by The Knack over the top. I managed to pick it up on 12" on my way home this afternoon.. which was a nice touch!
Erol also played a kicking remix of Primal Scream's 'Higher Than The Sun' - but I wasn't able to find out anything about it. Anyone know anything of this? I'd love to get hold of it. Ah - and he also played an incredible remix of the new Madonna single. Love to find out who that was by. Oooh - and waving my arms in the air to Liquid's rave classic 'Sweet Harmony' was also great. Erol is the man.
'Higher Than The Sun' is one of my all time favourite records. Just check the lyrics...
My brightest star’s my inner light let it guide me
Experience and innocence bleed inside me
Hallucinogens can open me or untie me
I drift in inner space, free of time
I find a higher state of grace, in my mind
I’m beautiful
I wasn’t born to follow
I live just for today, don’t care about tomorrow
What I’ve got in my head you can’t buy, steal or borrow
I believe in live and let live
I believe you get what you give
I’ve glimpsed, I have tasted, fantastical places
My soul’s an oasis
I’m higher than the sun
Sorry for not having any pictures for you today. I really cannae be arsed.
Watch Movies With the Lights On

Thanks to my mate Steve for pointing me in the direction of this fantastic record by The Long Blondes - further evidence of Sheffield's renaissance. I'd heard of them before, but the band's name had somehow made me think that they'd be yet another turgid identikit indie rock outfit. How wrong I was. A girl singer, uncommonly sharp lyrics, and tunes that at remind me at various times of 'Grease' and Pulp. A touch of faded 50's glamour with mixed with some modern day realism.
Needless to say this is quite brilliant, and impossibly addictive.
THE LONG BLONDES - GIDDY STRATOSPHERES
I'm off to see Erol Alkan & Ivan Smagghe at The End this weekend... if anyone else is going, feel free to drop me an email...
Encore
I've managed to upload the entire file to the 'Encore' video now... make sure you take a look.
I also realised I forgot to link to the last track I was gonna share yesterday.

This is more hip-hop, this time on the ever reliable Warp Records. Beans - a rapper also known as Mr. Ballbeam, was once a member of the Anti Pop Consortium. Since leaving the group he's released 3 solo albums on Warp, which I must admit have escaped my attention. All I have by him is this incredible 7" - 'Mutescreamer' - which was also one of the countless highlights of the glorious mix CD that accompanied Warp's DVD compilation.
Now that I am officially Hip-Hop certified, I can describe this using words like 'Dope', 'Sick' and 'Ill' while dancing round my backpack making shapes with my hands.
By tomorrow I will probably have resorted, using my usual lack of imagination, to saying 'it's fucking good'.
BEANS - MUTESCREAMER (EL-P REMIX)
So hip (hop) it hurts
All this talk of graffiti has turned me all hip-hop. I've surgically attached a rucksack to my back, hung my jeans so low my thighs are caught in the wind & rain, and i've fallen off my skateboard 8 times.
But most of all i've been listening to some angry fellas* rhyming some words over some beats.
First on the menu is Brighton's DJ Format, who along with partner in crime Abdominal keeps the old skool spirit alive with unsurpassed verbal dexterity (in the UK at least).
Ch-ch-check out 'Ill Culinary Behaviour' - possibly the most extended metaphor in hip-hop history?
DJ FORMAT - ILL CULINARY BEHAVIOUR
As well as giving that track a listen, you must have a look at 'The Hit Song' - probably Format's finest moment so far. Watch the video here.
Contains the immortal line '(i've got)...more hits than a German surfing a fetish website.'

For the main course, howsabout a track from one of the most eagerly anticipated albums of the year - Dangerdoom's 'The Mouse and The Mask' - the collaboration between MF Doom (Madvillain / King Geedorah) and Danger Mouse ('Ghetto Pop Life' / Gorillaz / 'The Grey Album).
I must admit i'm a little underwhelmed by the album - certainly in comparison to work by the pair i've heard before - however there are plenty of worthwhile tracks on it. My favourite is probably this one, 'Benzi Box', which has both DM & Doom in top form.
DANGERDOOM - BENZI BOX (FEAT. CEE-LO)
This is from last year, but if you've not seen the brilliant video for 'Encore' from Danger Mouse's highly illegal Grey Album, i'll test my bandwidth & post it up here too. It's astonishingly good considering it was a totally illegitimate release. If you want to see Ringo scratching & Lennon breaking - right-click right here. [22MB but completely essential]

Other highly recommended MF Doom / Danger Mouse tracks - 'Fazers' by King Geedorah and 'Ghetto Pop Life' by DM & Jemini.
I could post 'em here if demand is high!
*Yeah, I know. These fellas aren't very angry, but 'contented' didn't sound so good.
Lastly... isn't Ibuprofen the most incredible thing ever invented? 10 minutes ago I was suffering terrible, chronic, throbbing pain from a toothache I should have had seen to a fortnight ago. Against my manly instincts I popped a pill, and now - nothing.
What the hell is in that stuff?
It reminds me of when I finally managed to get hold of one on a 23 hour Bolivian bus journey I endured. I had struggled through 8 hours of unimagineable pain due to a leg infection i'd picked up in the Amazon, after being devoured by sandflies. My leg was twice its normal size. The pain was excruciating. A pissed-up Bolivian was dribbling on me, and several chickens had escaped their owner and were running loose on the floor of the bus. Even if I could walk there was no way off the bus to get to a doctor, and my bag containing the magical nurofen was on the roof - from where despite my pleading the driver wouldn't let me retrieve it.
I had spent an hour seriously considering hacking my leg off with a penknife.
Eventually, at yet another stop, and with tears in my eyes and desperation in my voice I pleaded one last time to get my bag off the roof. Thankfully they gave in and I greedily swallowed a couple of nurofen.
10 minutes later I could have played football.
Unbelieveable.
That bus journey was also remarkable for going up what was supposedly the world's most dangerous road. Thing is, we had two punctures en route. And only one spare tyre.
???
and a driver who survived on no sleep by frantically chewing on coca leaves for the duration.
Think the end of the Italian Job with dirt roads and no barriers.
(and it is a bloody dangerous road - some friends i'd met out there went over the edge in their bus. They were only saved from a fatal tumble down the mountain by some thankfully sturdy trees...)
You Dirty Rats
I visited Banksy's new exhibition "Crude Oils" at the weekend... if you've been visiting here a while you'll know i'm a bit of a fan, and i've got quite a collection of his screen prints.
This exhibition, however, was shit.
Or should I say covered in shit.
If you've read anything about the show, you will probably have heard about the rats. Nearly 200 of them are living on the gallery floor for the duration of the exhibition, and even outside there was quite a stench from the substantial quantity of rat shit covering every surface the rodents had managed to reach. The poor gallery attendant in particular was covered in the stuff.

They were mainly piled up in the corners when I visited, but a couple of the persistent beggars insisted on charging me every time I looked away. I wouldn't normally mind too much, but they were seriously filthy!

Banksy of course has an ongoing thing for rats with his street stencils, claiming that "If you feel small, insignificant and dirty they are the ultimate role model".
Unfortunately I think that the vermin became the focus of the exhibition, distracting attention from the work on the walls. You weren't allowed in for long anyway, and for the time you were in there it was hard to devote as much time looking at the paintings as you did checking your feet. Having one of them climbing up your trouser leg doesn't bear thinking about!
As for the work itself, well unfortunately I didn't bring my camera, so wasn't able to take any snaps. If I have time I may go back next week & get some pictures....
For the time being the two photos above and one below are lifted from the excellent Wooster Collective site. You can see most of the other pieces on this site
This Edward Hopper 'Diner' pastiche was the only piece still available to buy. A cool 40 grand to you. It is bloody huge though. Ah, an Englishman abroad in traditional dress offers up his customary greeting....

A couple of Warhol pisstakes also featured. The Kate Moss as Marilyn Monroe canvas was new (this is a scan of the postcard given out)

Looking at this made me realise that Kate Moss isn't nearly as iconic as she's made out to be. To be honest if I didn't know it was her I probably wouldn't have recognised her.
The Tesco Value Soup tin has been around a while as a screen print (you can still buy 'em from Pictures on Walls). This was also the canvas he sneaked into the New York Museum of Modern Art. It's simple, but I like this a lot.

"Crude Oils" was the title of the exhibition though, and most of the room was filled with corrupted oil canvases. One side were adapted from existing paintings bought cheaply at markets, and half - the Van Gogh, Monet and Jack Vettriano pastiches - done from scratch. The following are on Banksy's website, however they've been there for a while and from what I can remember the versions in the exhibition were new (but similar).





The best two were probably the Guantanamo Bay prisoner kneeling on a beach, and the guardsman sitting on a pantomime horse. Bear in mind if you're looking at the pictures on that site, that the rats were considerably filthier, and there was significantly more shit around when i visited!
So it was definitely worth a visit, but not the greatest showcase of Banksy's work i've seen. Having missed the 'Turf War' exhibition, it was good to see a good collection of his work at close quarters. Although there wasn't a lot of genuinely new material or ideas there. I have a sneaking suspicion the sole purpose of the event is to qualify for inclusion in next year's Turner Prize shortlist. Despite his ruthlessly anti-establishment ethos, I think he quite fancies winning the prize as a raised middle finger to the art world.

For me, Banksy still works best when placing his stencils in unexpected or subversive places. It's a joy to turn a corner and find a pissing guardsman, or snogging policement.... or to be greeted on the M4 into London by the huge 'Welcome to Hell' bunny. There's a huge archive of his graffiti here if you want to check it out...
The exhibition is only on for another week or so at 100 Westbourne Grove. If you're thinking of going, i'd practice holding your breath... I suspect that by next weekend it'll be really grim!
The Real Peel
I suppose I should be out at some gig somewhere or other celebrating the life of John Peel as part of Radio 1's self-promoting 'Peel Day'. But something about the whole thing hasn't sat very comfortably with me. If a lot of people go out & see some live music today, that'll be great. But I get the feeling that Peel himself wouldn't be a bit bemused by his ongoing canonisation. He would probably be the first to say that it's all a big fuss over someone who just played a few records on the radio.
I agree with many of the sentiments of this article in The Times. If Radio 1 wanted to celebrate Peel properly, they should do so by throwing some excellent unsigned bands in amongst their playlist... not just repeating his name endlessly and playing 'Teenage Kicks' once an hour in the hope that some of his cool will rub off on them.
I had the misfortune to listen to radio 1 a fair bit today. The songs I heard played in his 'honour' were:
Nirvana - Smells Like Teen Spirit
Underworld - Born Slippy
New Order - Blue Monday
Joy Division - Love Will Tear Us Apart
The Undertones - Teenage Kicks (of course)
Don't get me wrong, I don't object to hearing any of those on the radio, but that's hardly representative of what you'd hear on an average Peel show, and certainly not what he'd choose to play given free reign of radio 1. Why is everything they play when mentioning him done by white guys with guitars? Where's the Malinese Reggae? or the Happy Hardcore? Or more importantly, where's the Napalm Death?
I can live with all that though.. what really made me reject this whole thing completely was seeing this story about a tribute single. Recorded by Robert Plant!? Roger Daltry!!?? Dave Gilmour!!!??? and ELTON FUCKIN' JOHN!!!!!!!!!????????
So I will attempt to put things right by posting something noisy, something nice, and something by The Fall.
Enjoy....
APHASIC - THE JACKAL
'Did I ever tell you about that man.. .who changed my life' Awesome breakcore on the Rephlex-affiliated Ambush Records. Now THOSE are drums.
RELOAD - THE BIOSPHERE (GLOBAL COMMUNICATION MIX)
Timeless and achingly beautiful. An ambient techno masterpiece. I'm thinking of having a week dedicated to Tom Middleton & Mark Pritchard soon....
THE FALL - MR PHARMACIST
The Fall track Peel chose to include on his Fabric mix CD. One of their best.
Sorry for being a miserable bastard. Feel free to comment if you think i'm being too cynical. Or just feel free to comment anyway. I won't bite.
In the course of my 'research' I came across Jamie's Runout Groove - an excellent British MP3 blog that had somehow escaped my notice. Check it out.
I AM DAMO SUZUKI
Some more awesomeness for you today...
You may have heard of a recent album of re-edits by Glasgow glamour queen 'Betty Botox'. It's been causing a bit of a stir.

What was a big secret, but now seems only to be a small secret, is that Betty Botox is an alias of JD Twitch. Who's JD Twitch? Well does the word 'Optimo' mean anything to you? If not take 5 paces back and click.

Well the album was preceded a few months back by a superb 12", which I happened to recently pick up in my aladdin's cave of a second-hand shop. And one of its 4 tracks has been locked onto my turntable and fixed in my brain ever since.
Since Betty Botox specialises in re-edits, and the EP is called 'Kraut', you can probably make an educated guess at the source of this fantastic track, 'Can Can'.
Yes, it's Faust of course.

Nah, not really. It's Can.

Although endlessly being namedropped as one of the most influential bands of all time, I must admit they're a band i'm not particularly familiar with. However a quick google of the lyrics revealed that this track 'Can Can' is a remake of a song called 'Hoolah Hoolah', from their 1989 album 'Rite Time'.

I've not heard the album, or the original of this track, but this is so fucken excellent it's untrue. This will never ever leave my record bag.
BETTY BOTOX - CAN CAN
Although you won't find 'Can Can' on it, Boomkat have just got another consignment of the album in. You can also pick up an mp3 from the album at Big Stereo.. a re-edit of 'Is It Love You're After' by Rose Royce... the song that will forever and always make you think 'S-Express'.
New Links
While waiting for me to compose my next post, why not check out some tracks from the new blogs i've linked to....
To Here Knows When has the superb 'Unighted' by Lo-Fi Fnk for your delectation. Along with loads more quality gear. (Tiga, Test-Icicles, Bloc Party, (The Mighty) Justice, Zongamin...).
Bookmark.
Clitspit has the new singles by Felix Da Housecat and Tomas Andersson, and a new Richard X mix of New Order's 'Bizarre Love Triangle'.
Oooh!
Greanpea-ness has a kickin' remix of 'Do Me Bad Things', and also the skillz to host his own files rather than rely on the annoying rapidshare or yousendit.
Yessssss!
Monkey Mania
I went to see Arctic Monkeys again on Thursday night.... it was their first gig in London for ages, and the most hyped up gig to hit the city in years. In our typical British way the media has jumped on the band as not only the saviours of rock 'n' roll, but also the most likely to bring peace to the Middle East and also lead England to World Cup Glory (see also: Andrew Murray (Tennis Bore)). And as such Radio 1, NME and every newspaper with print to fill has been salivating over them like a paedophile in a playground. Mind you, I guess i've been guilty of that myself, so I should get out of the greenhouse before throwing stones around.
I had a spare ticket so wandered past the venue early to try & offload it. I found some desperate looking teenagers so tried to sell it to them, only to be set upon by touts thrusting fistfuls of twenties in my face. Tempting though it was, I couldn't really bring myself to break their teenage hearts by taking the filthy lucre. Damn this pesky conscience! It's been holding me back all these years! Mind you, I was repaid at the end by seeing the 3 of the group that managed to get in at the end of the gig.. soaked in sweat and grinning broadly. Ahh... bless!
As for me? Well let's start with the set list:
'Bet You Look Good On The Dancefloor'
'Fake Tales Of San Francisco'
'Still Take You Home'
'View From The Afternoon'
'Ritz To The Rubble'
'You Probably Couldn't See'
'Vampires Is A Bit Strong But...'
'Dancing Shoes'
'Red Light'
'Mardy Bum'
'Sun Goes Down' (AKA Scummy)
'Certain Romance'
All you internet savvy muso types will probably be familiar with some if not all of the tracks from the 'Beneath the Boardwalk' demo that's been pretty widely circulated (not least right here). And they started to scenes of absolute delirium with forthcoming single 'Bet You Look Good on the Dancefloor', followed straight up with 'Fake Tales of San Francisco' - probably their best song. I've been to a fair few gigs in my life, but I don't remember ever seeing quite such pandemonium on the dancefloor. The Astoria was transformed into an indistinguishable mess of legs, arms, feet, hair, beer, sweat, and no doubt many other bodily fluids. I wish i'd got some photos but I was far too busy going chicken jalfrezi myself.
Trouble was that having got their two best known songs out of the way at the start of the set, the whole middle of the show became a bit of an anti-climax, and until the ending of 'Mardy Bum', 'Scummy' and 'A Certain Romance' it all went a bit flat for a while. That's no fault of frontman Alex Turner though.. a more charismatic, genuine and, well, funny lead singer you couldn't hope for. He kept the crowd entertained while bassist Andy Nicholson disappeared with a nosebleed (He should have let it flow I reckon... nothing more rock 'n' roll than a river of blood!).... mainly by remarking on all the celebrities in attendance. Although to be honest the only one he could find was some bloke who looked like Gareth from the Office.
Maybe it was Andy disappearing for 5 minutes, but the gig definitely went flat for a while. Personally I think it was down to a questionable set list. I can't understand why, as the band easily have enough material to fill an hour's set with quality stuff. Christ knows why they don't ever play 'Bigger Boys and Stolen Sweethearts' for instance... and 'Choo Choo', 'Cigarette Smoke' and 'Wavin' Bye To The Train and The Bus' would all be better bets than.. well four of the mediocre songs they played in the middle.
Things got better again at the end though... with the volume of singing along to 'Scummy / Sun Goes Down' truly breathtaking, and my favourite song 'A Certain Romance' resulting in much frenzied jumping around to finish with.
So it was a truly excellent gig, but nothing like the 'Sex Pistols at the 100 club' that NME will no doubt make it out to be next week.
That's probably me done with them for a while as well unfortunately. A lot of the crowd they attract are the fred-perry-clad-beer-can-throwing types. And I don't fancy much joining 3,000 of them in Brixton Academy on their next tour. As usual they won't see the irony in behaving like pricks as Alex sings 'And just 'cos he's had a coupla cans, he thinks it's alright to act like a dickhead'.
ARCTIC MONKEYS - CIGARETTE SMOKE
ARCTIC MONKEYS - WAVIN' BYE TO THE TRAIN AND THE BUS
(Is this not perfect as a live set / album closer? Maybe it's just me...)
I did take photos, but annoyingly I left them on my computer at work... I may be able to get 'em up tomorrow.
Article in Friday's Times
p.s..... Top of the League!
:-D

I Am Your Friends
Later on i'll have some words and pictures from the excellent Arctic Monkeys gig at the Astoria last night.
You want some music before then?
Well the website for the club 'And Did We Mention Our Disco' has some great mixes to download. I'd highly recommend the (full length) set by the MIGHTY Justice, who play much the same records I do but in a much more proficient fashion.
It's fuggin' excellent.

EDIT:
With a devastating new single out, it would be remiss of me not to give you some hot new Justice action. This track 'Carpates' is from their new record, and if you've been freaking out to their recent remixes of DFA 1979, Vicarious Bliss and Scenario Rock... or indeed spent the whole year as I have screaming 'We. Are. Your Friends', you will be already primed and ready in attack formation. This is a monster.
Unleash the drums.
JUSTICE - CARPATES
Great sleeve too:

Five Dollar Shake
Ever wondered what a £15,000 record sounds like?
Find out over at 'The Number One Songs in Heaven'... THE best MP3 blog bar none.So what's the most you've ever spent on a record / CD?
I don't think i've ever gone really crazy. There's quite a few things i've bought for around £25 / $45, but above that all I can think of is the Aphex Twin Analord binder - which was 40 quid but a bit special, and a CD by B12 called 'Prelude Part 1'. That cost me £35.....
The drum loop that changed the world
Something Better
I'll have to make a small apology for my last (musical) post. In hindsight that Prodigy remix ain't all that. It's not a BAD track, but it's not something I particularly ever want to listen to again. I'm sure a time will come when I do run out of great music to post, but it won't be for a while yet!
I shall attempt to rectify my faux-pas with one of the strangest and most wonderful records I own.
Mercury Rev were my favourite band for a long while. Until, in fact, original singer David Baker left. The tensions within the original line-up frequently resulted in full on fist fights, no doubt provoked by Baker's prolific drug consumption. He was, to be frank, a proper nut job. I only had the opportunity to see them once in this period, but it was truly glorious. The band struggled to hold the set together in the face of Baker's erratic behaviour, with him rolling around the stage, joining the audience for a drink and then launching into a spit and bile filled tirade an inch from another unfortunate spectator's face - but somehow hold it together they did, and there was magic amongst the balloons and madness.

Yerself is Steam, their debut album, is a stone cold psychedelic classic. I only heard of it after it came in at #4 in Melody Maker's end of year chart, and finding the record in a second-hand shop soon after was the beginning of a long-time love affair. I hadn't heard anything like it before or since. Then came two genius singles in 'Car Wash Hair' and Sly Stone cover 'If You Want Me To Stay', both of which led me to be feverishly anticipating 'Boces', their second album - which as far as i'm concerned is one of the great lost classics. (Not least because the band themselves have disassociated themselves with it.)
It's challenging listening, sure - with beautiful melodies alternating with bursts of extreme noise - but there such is a pop sensibility beneath the feedback and stream-of-conciousness lyrics that it doesn't once often become tedious or self-indulgent. Suzanne Thorpe's flute has also been sorely missed from later efforts, lending these early records an ethereal, otherworldly quality.
I've not given up on the band since David Baker left - 'Deserters Songs' in particular is a masterpiece - but the last two records have been pale imitations of their former glories.
This track, 'So There' is a bit of an odd one even by early Rev standards. It was released as the b-side to 'The Hum Is Coming From Her' - a strange choice of single to say the least, since the track (called 'Girlfren' on Boces) is pretty much the worst song on the first two albums.
'So There' is essentially a poem read out by beat poet Robert Creeley with musical backing by The Rev. It's quite a hard record to do justice by writing about...and if I try it'll probably end up sounding like something you don't want to hear. Please give it a listen though. You'll probably start off not liking it much, then half way through you'll think 'yeah, this isn't bad actually', and by the time the joyous insane ragtime piano finale comes you'll have your finger hovering over the 'rewind' button in preparation for another ride.
This became a bit of an anthem* in our flat in my first year at University... mainly due to my friend / flatmate Rick getting quite obsessed with it!
MERCURY REV (FEAT. ROBERT CREELEY) - SO THERE
'While we can,
let's do it,
let's have fun'
As a bonus here's one of the best tracks from Boces. With David Baker in quite restrained form.
MERCURY REV - HI-SPEED BOATS
Do yerself a favour and BUY Yerself is Steam if you don't have it... it's a masterpiece! I'll probably rave about it some more at a later date...
* When not Mu Mu'ing to the KLF!
The Horror Returns
Once more my thoughts are with the people of Bali, whose peaceful island has again been so senselessly attacked.
I had been thinking of Bali a lot last week anyway, with October coming up, and with it the anniversary of the 2002 bomb I was so lucky to escape. I was stunned to wake up on Saturday and hear news of these latest blasts. Thankfully the devastastion hasn't approached the scale of the massive Sari Club car bomb, but the blackened bodies, missing limbs and grieving friends are all too familiar. As was, sadly, the timing of the attack - at the busiest time on Saturday night - and the failure of emergency services to reach the sites due to the traffic-packed single track roads. And again, although the attacks were ostensibly designed to target Western tourists, the majority of the victims were Indonesian.
I have found myself oddly fascinated by the published photographs of the bombers' severed heads - trying to decipher that strange kind of serenity on their faces. You wonder what was going through their minds, at this moment when they decided to go ahead with their plan to kill those unfortunate enough to be sitting nearby. Only the icy stare and barely-concealed sneer of the second bomber gives any clue that this you are looking at a gallery of murderers.